Lest We Forget at
the Barbican is an inspired thematic programme to mark the centenary of the
WW1, but it’s also a good deal more than this. Through the architecture of Liam
Scarlett’s No Man’s Land, with stunning
design by Jon Bausor, the dramatic shifts in Russell Maliphant’s Second
Breath to Akram
Khan’s Dust with Sander Loonen's raised, red dust design, its cultural context is rich and varied. Khan’s signature choreography - his serpentine, linked arms, his communal,
ritualistic uniformity - never looked so good; matched by the percussive, evocative rhythms
of Jocelyn Pook’s original score. These choreographic motifs are explored independently by Scarlett and Malphant earlier, adding to the production's heightened expressionistic style. The final image of dancer, Tamara Rojo, as she spins out
of a waltz step, alone, shows Dance as a simple metaphor for life, a glimpsed moment, grandly squandered or heroically given.......Lest We Forget catapults
English National Ballet, under the inspired directorship of Rojo, onto
an international platform........
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